All Her Fault movie review & film summary (2025) | Roger Ebert

All Her Fault – Movie Review & Film Summary (2025)

“All Her Fault” is a tense psychological thriller that blends emotional dread with sharp plot turns. It begins when Marissa, played by Sarah Snook, arrives at a playdate to pick up her son Milo (Duke McCloud). Calling the host, Jenny (Dakota Fanning), brings no answers—only confusion—and the sense that something terrible has happened.

Based on Andrea Mara’s novel, the eight-episode series grips from the moment Milo disappears. Each glance, each accusation, and every tense exchange deepens the viewer’s unease. Like a slow descent into a sinkhole, it drags the audience through guilt, fear, and suspicion, ensuring that no one feels safe from blame.

“Every mistake, every glare of blame, and suspicion is rendered in vivid detail. You’re supposed to scream at the screen, and you probably will.”

Director and writers design this chaos deliberately. Every character is cloaked in mystery: Marissa and her husband Peter (Jake Lacy), the mothers, nannies (Kartiah Vergara, Sophia Lillis), relatives (Abby Elliott, Daniel Monks), and a business partner (Jay Ellis). Their intertwined histories and hidden motives leave viewers guessing who can be trusted.

Flashbacks stretching over a decade reveal fragments of truth, yet obscure just as much, creating a deliberate blur that keeps the tension high. This narrative choice sustains the uncertainty and psychological intensity essential to the story’s impact.

Summary

“All Her Fault” succeeds as an immersive suspense series that blends a missing-child mystery with layers of emotional manipulation and distrust.

Author’s summary: A gripping, character-driven thriller that turns parental fear and moral ambiguity into an electrifying psychological puzzle.

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Roger Ebert Roger Ebert — 2025-11-06